randian | 燃点

男人们蹦跳呼喊，穿着满是织花的衣服从旁进过，他们的身体分化成飞舞的颜色。安迪愣了片刻才意识到，这些男人通红肿胀的脸和黑色空洞的眼睛是木质的面具。 >> 更多

一间简朴的会客厅开始了这个季度歌德开放空间名为《9平方米美术馆》的艺术项目。会客厅作为展览厅，而展览又只持续一天，艺术开始有了时空上的紧迫感。在9个平方米里24小时的相遇中，艺术能伸展出什么可能性呢？ >> 更多

让Ÿ•努维尔中标中国国家美术馆方案, 威尼斯中国馆得以改善及更多... >> 更多

这组作品清晰地展示了刘辛夷在知识生产上的策略：通过从一个形象到另一个形象的“滑动”，使属于不同范畴的事物产生关联，在语义的不断转向中，令观众对事物产生新的认识 。 >> 更多

“日光亭”第四期由艺术家杨光南呈现名为“消化不良”的个人项目。 >> 更多

(English) Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> 更多

(English) I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember. >> 更多

(English) The exhibition’s title derives from British polymath and socialist activist, William Morris’ 1890 novel of the same name, in which he imagines a utopian future liberated from systems of capitalism. >> 更多

这是瑞安·甘德（Ryan Gander）继2017年在收藏家周大为的Cc基金会成功举办个展“人类/非人类/破损/非破损”之后第二次在中国举办个展。 >> 更多

(English) Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> 更多